All the world knows that Lord Steyne’s town palace stands in Gaunt Square, out of which Great Gaunt Street leads, whither we first conducted Rebecca, in the time of the departed Sir Pitt Crawley. Peering over the railings and through the black trees into the garden of the Square, you see a few miserable governesses with wan-faced pupils wandering round and round it, and round the dreary grass-plot in the centre of which rises the statue of Lord Gaunt, who fought at Minden, in a three-tailed wig, and otherwise habited like a Roman Emperor. Gaunt House occupies nearly a side of the Square. The remaining three sides are composed of mansions that have passed away into dowagerism—tall, dark houses, with window-frames of stone, or picked out of a lighter red. Little light seems to be behind those lean, comfortless casements now, and hospitality to have passed away from those doors as much as the laced lacqueys and link-boys of old times, who used to put out their torches in the blank iron extinguishers that still flank the lamps over the steps. Brass plates have penetrated into the square—Doctors, the Diddlesex Bank Western Branch—the English and European Reunion, &c.—it has a dreary look—nor is my Lord Steyne’s palace less dreary. All I have ever seen of it is the vast wall in front, with the rustic columns at the great gate, through which an old porter peers sometimes with a fat and gloomy red face—and over the wall the garret and bedroom windows, and the chimneys, out of which there seldom comes any smoke now. For the present Lord Steyne lives at Naples, preferring the view of the Bay and Capri and Vesuvius to the dreary aspect of the wall in Gaunt Square.
A few score yards down New Gaunt Street, and leading into Gaunt Mews indeed, is a little modest back door, which you would not remark from that of any of the other stables. But many a little close carriage has stopped at that door, as my informant (little Tom Eaves, who knows everything, and who showed me the place) told me. “The Prince and Perdita have been in and out of that door, sir,” he had often told me; “Marianne Clarke has entered it with the Duke of ———. It conducts to the famous petits appartements of Lord Steyne—one, sir, fitted up all in ivory and white satin, another in ebony and black velvet; there is a little banqueting-room taken from Sallust’s house at Pompeii, and painted by Cosway—a little private kitchen, in which every saucepan was silver and all the spits were gold. It was there that Egalite Orleans roasted partridges on the night when he and the Marquis of Steyne won a hundred thousand from a great personage at ombre. Half of the money went to the French Revolution, half to purchase Lord Gaunt’s Marquisate and Garter—and the remainder—” but it forms no part of our scheme to tell what became of the remainder, for every shilling of which, and a great deal more, little Tom Eaves, who knows everybody’s affairs, is ready to account.